Vladimir Propp's Character Theory
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Vladimir Propp's character theory, outlined in his 1928 book Morphology of the Folktale, proposes that all characters in Russian fairy tales can be classified into a limited number of archetypal roles based on their functions in the narrative.
Propp's seven primary character archetypes are as follows:
The Hero: The protagonist, who goes on a quest to solve a problem or right a wrong.
They are often a seeker or a victim. The Villain: The antagonist who creates the conflict or causes the initial "villainy" that sets the story in motion. This character may steal, kidnap, or otherwise inflict harm.
The Donor: A character who tests the hero and, upon a successful outcome, gives them a magical agent or a helpful object.
The Helper: An entity, often magical, that assists the hero in their quest, such as a helpful animal or a magical sword.
The Princess (and her Father): The sought-for person or prize.
The hero's journey often culminates in a wedding to the princess, symbolizing the defeat of the villain and the restoration of order. Her father is often the dispatcher. The Dispatcher: The character who sends the hero on their mission.
This can be a king, a parent, or even the princess's father. The False Hero: A character who attempts to take credit for the hero's actions or to marry the princess, but is eventually exposed and punished.
Propp's work was foundational to the structuralist approach to literary analysis, asserting that narrative elements, like character functions and plot points, are stable and predictable across different stories, regardless of surface-level details.
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